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It looks like computer animation, but it's actually liquid mercury being manipulated by magnets and heat. Set to a lovely, spare piano score by Tetsuhide Hadaka, this piece combines the wow-factor of the T-1000 with the formal beauty and rigor of modern sculpture. Does anyone else see this as a tribute to L.A.'s famed Watts Towers?
eGuider: Chris Brenner
Post Production Point Man, Border Patrol, Scarecrow
A recent MFA graduate from USC's School of Cinematic Arts, Chris spends his days editing, sound designing and wondering why he doesn't get paid more. He has done post work on national commercials for Nestle and Heineken, as well as Ivan Reitman's web series "Border Patrol" and the Academy Award winning short "A Day's Work".